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Pen and Parchment: Drawing in the Middle Ages (Metropolitan Museum of Art Publications) |  | Author: Melanie Holcomb Creators: Lisa Bessette, Barbara Drake Boehm, Evelyn M. Cohen, Kathryn Gerry, Ludovico V. Geymonat, Aden Kumler, Lawrence Nees, Wendy A. Stein, Faith Wallis, Karl Whittington, Elizabeth Williams, Nancy Wu Publisher: Metropolitan Museum of Art Category: Book
List Price: $50.00 Buy New: $30.00 as of 7/31/2010 02:10 CDT details You Save: $20.00 (40%)
New (22) Used (11) from $30.00
Seller: jmking2177 Rating: 1 reviews Sales Rank: 477307
Media: Hardcover Pages: 200 Number Of Items: 1 Shipping Weight (lbs): 2.6 Dimensions (in): 11.2 x 8.8 x 1.1
ISBN: 0300148941 Dewey Decimal Number: 741.9409020747471 EAN: 9780300148947 ASIN: 0300148941
Publication Date: July 7, 2009 Availability: Usually ships in 1-2 business days
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Product Description
In the Middle Ages, artists explored and tested the medium of drawing, producing whimsical sketches, illustrated treatises, and finished drawings of extraordinary refinement. This fascinating volume is the first to examine and celebrate the achievements of medieval draftsmen in depth. It reproduces rarely seen leaves from more than fifty manuscripts dating from the 9th to the early 14th century. In the accompanying texts, Melanie Holcomb and other experts in the field consider the techniques, uses, and aesthetics of medieval drawings, casting light on their critical role in the intellectual life of the Middle Ages. (20090619)
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| Customer Reviews: revealing look at early drawing August 21, 2009 Ivor E. Zetler (Sydney Australia) 10 out of 11 found this review helpful
I would like to begin this review with a warning. If you are an enthusiast for drawings as we are normally accostomed to, it is highly likely that you might experience some disappointment with many of the drawings presented in this catalogue. This is not to claim that they are of inferior quality; it is just that they are so different.
Do not expect the complexity, style or perspective that one might encounter in great drawings by masters such as Durer, Leonardo or Rubens. Our eyes are so conditioned to this type of style that the flatness, relative simplicity and naivity in these earlier drawings can come as a shock and a challenge to the senses.
The 50 drawing examples have been sourced from university and monastic libraries. Some of the examples are charts, diagrams and maps. For a detailed overview see the NYT review by Roberta Smith. This catalogue comes with interesting essays and the reproductions are of a high standard. Recommended to those with an open and enquiring interest in the early history of drawing.
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